Germany’s Weltfilm joins forces with Martín Boulocq for ‘Criminal Body’

A new chapter in international co-productions

Germany’s Weltfilm has recently joined the production team for Bolivian filmmaker Martín Boulocq’s latest project, Criminal Body. This work-in-progress (WIP) was showcased at the Santiago International Film Festival’s industry section, a platform co-founded by Gabriela Sandoval.

Weltfilm’s global footprint

Founded in 2003 by Kristina Konrad and Christian Frosch, Weltfilm has a rich history of co-productions spanning Latin America, Africa, and Europe. The company is known for its diverse portfolio, which includes documentaries and arthouse films with a global appeal.

A collaborative effort

Criminal Body is a collaborative effort involving Boulocq’s CQ Films, Argentina’s Maravillacine, and France’s L’Œil Vif. The project has also secured funding from three French sources: CNC, Toulouse Métropole, and Procirep-Angola.

A film within a film

In this intriguing narrative, locals Miguel and Marcos find themselves involved in the production of an American horror movie set in a sub-Andean forest. Miguel, a bodybuilder, takes on the role of the monster, while Marcos, a local farmer, provides his bulls for the shoot. Together, they navigate a bizarre and unfamiliar world.

Exploring neocolonialism through cinema

Producer Andrea Camponovo, Boulocq’s founding partner in CQ Films, describes the project as a penetrating look at political and social issues. “This time, the story is rich in subtlety and uniqueness. It tackles neocolonialism from a fresh angle, exploring cinema itself and its marginalized characters,” she says.

A blend of genres

Criminal Body pushes the boundaries of genres, blending horror, documentary, and fiction. The film features meticulous staging and composition in every shot, showcasing a highly developed formal approach.

Recognition and accolades

The project has already garnered significant attention. It was selected as a Spotlighted Project at the Marché du Film’s Cannes Docs and has received funding from the IDFA Bertha Fund. Its journey to Sanfic’s WIP program began at the International Documentary Film Festival of Buenos Aires, where it won the chance to participate in the Málaga WIP 2024, eventually earning a spot in Sanfic’s WIP program.

The value of co-productions

Camponovo emphasizes the importance of co-productions, not just in economic terms but also in creative collaboration. “Such collaborations allow for a rich exchange of ideas and expertise, enhancing the overall quality and depth of the production. By leveraging the strengths and unique perspectives that each partner brings to the table, we can create truly exceptional films that resonate with diverse audiences,” she explains.

Boulocq’s cinematic journey

Boulocq, who studied cinematography at Jorge Sanjinés’ Andean School of Cinematography, made his international debut at age 25 with his acclaimed feature, The Most Beautiful of My Very Best Years in 2005. The film played at major festivals including Locarno and San Sebastian and was backed by L.A.-based indies Pretty Dangerous Films (now KNR Prods.) and Arrival Cinema, with Rodrigo Bellott serving as an executive producer.

His latest film, The Visitor, premiered at Tribeca in 2022, where it won the best screenplay award.

Looking ahead

The 20th Sanfic runs from August 18-25, promising a showcase of innovative and thought-provoking cinema. As Criminal Body continues to develop, it stands as a testament to the power of international collaboration and the unique stories that emerge from such partnerships.

For more information and to watch the trailer, visit Criminal Body.

Personal reflections for cinema, TV series, and music enthusiasts

As a cinema enthusiast, the prospect of Criminal Body excites me. The film’s unique blend of genres and its exploration of neocolonialism through the lens of a horror movie within a movie is a refreshing take on storytelling. The involvement of local characters like Miguel and Marcos adds an authentic touch, making the narrative more relatable and engaging.

For those who appreciate in-depth analysis, the film’s meticulous staging and composition are worth noting. Each shot is crafted with precision, reflecting Boulocq’s commitment to pushing the boundaries of traditional filmmaking.

Music enthusiasts might find parallels in the way Criminal Body blends different genres, much like how innovative musicians mix various styles to create something new and exciting. This film is a reminder of the endless possibilities that arise when creative minds from different backgrounds come together.

In the world of TV series, the concept of a film within a film is not new, but Criminal Body promises to bring a fresh perspective. It’s a testament to the evolving nature of storytelling, where boundaries are constantly being pushed, and new narratives are explored.

For those interested in exploring more about the film, check out the trailer and immerse yourself in the world of Criminal Body. It’s a journey worth taking.

Additional resources

This article aims to provide a comprehensive and engaging overview of Criminal Body, highlighting its unique aspects and the collaborative efforts behind its creation. Whether you’re a cinema, TV series, or music enthusiast, there’s something in this story for everyone.