Italian
Emerging voices in global cinema: A spotlight on non-English filmmakers
A new wave of cinematic brilliance
The world of cinema is constantly evolving, and nowhere is this more evident than in the burgeoning talent emerging from non-English language filmmakers. This year’s Locarno Film Festival‘s networking event, Match Me!, showcased a dazzling array of projects from around the globe, featuring stars like Steven Bauer in “My Uncle’s Movie,” Alba Flores in “The Shepherdess,” and Alfredo Castro in “Dog Legs.” These films highlight the rich diversity and creativity that these filmmakers bring to the table.
Diverse projects and innovative strategies
This year’s Match Me! lineup included 36 producers, each bringing unique and compelling stories to the forefront. Among them were Matīss Kaža, co-writer of the acclaimed “Flow,” and production companies like Chile’s Oro Films, France’s Wrong Films, and the Dominican Republic’s Mentes Fritas Film Production. These companies have backed notable films such as “To Kill the Beast,” ”Animalia,” and “Bionico’s Bachata.”
Embracing hybrid models
A significant trend among these producers is the adoption of hybrid financing and release strategies. Umberto Maria Angrisani from Italy’s Mompracem emphasized the importance of combining limited theatrical releases with online premieres to maximize reach and audience engagement. This approach reflects a broader shift in the global arthouse sector, which is increasingly blending documentary and fiction genres, as well as embracing genre tropes.
The rise of ‘elevated arthouse’
Producers like Tomás Gerlach from Chile and Solal Coutard from France are championing what they call “elevated arthouse” films. These films cater to both artistic and audience ambitions, demonstrating a growing appetite for innovative storytelling. In Germany, Hakim + König Film is working on “pop arthouse” films, aiming to find a large audience for arthouse films in big cineplexes both domestically and internationally.
Spotlight on standout projects
Brazil: A hub of diverse narratives
Daniela Azeredo from Druzina Content is making waves with ”Three Times,” a film by Bruno Bini. This project follows a man who battles to avoid his fate after discovering it. Another notable producer, Rosa Caldeira from Maloka Filmes, focuses on Black LGBTQ narratives. Her feature “Eke” centers on a young trans capoeira-vogue dancer and an orphaned trans teenager, offering a poignant exploration of identity and resilience.
Chile: Blending genres and exploring new horizons
Tomas Gerlach from A Simple Vista is at the forefront of blending genres in Chilean cinema. His project “Dog Legs,” based on a 1960 novel by Carlos Droguett, tells the story of a man who adopts a child born with dog legs. Another Chilean producer, Florencia Rodríguez Araya from Oro Films, is backing “The Evil That Binds Us,” a hidden family secret drama by Nicolás Postiglione.
Dominican Republic: Entertaining with depth
Cristián Mojica from Mentes Fritas Film Production aims to create entertaining films with strong dramatic elements. His project ”The Baker,” co-written with Yoel Morales, is described as a blend of “Mean Streets” and Rohrwacher’s poetry, infused with urban Dominican music. This unique combination promises to deliver a captivating cinematic experience.
The future of non-English language cinema
The projects showcased at Match Me! reflect a broadening of horizons in the non-English language movie scene. Producers are not only exploring diverse narratives but also adopting innovative financing and release strategies to reach wider audiences. This dynamic approach is paving the way for a new era of global cinema, where stories from different cultures and perspectives can thrive.
Personal reflections for enthusiasts
For cinema enthusiasts, the rise of non-English language films offers a treasure trove of fresh and compelling stories. These films provide a window into different cultures and experiences, enriching our understanding of the world. As we continue to embrace these diverse narratives, we can look forward to a more inclusive and vibrant cinematic landscape.
For those interested in exploring these films further, here are some direct links to trailers and information pages:
By supporting and celebrating these films, we can help ensure that the voices of emerging filmmakers continue to be heard and appreciated on the global stage.# Exploring the world of cinema and TV: A deep dive into emerging talents and projects
Beyond the mist: A sensory journey through grief and nature
In the realm of cinema, few projects promise to be as immersive and emotionally resonant as “Beyond the Mist” (“Después de la Niebla”). This film, described as “sensory cinema,” aims to connect with the deepest aspects of being through the senses and nature. The story follows David, who, grappling with the pain of his grandmother’s death, ventures into the depths of a forest and his memories. The production design ingeniously uses various states of water to symbolize the main characters’ emotional states, creating a visual and sensory experience that is both profound and evocative. For more details, check out the Beyond the Mist trailer.
Estonia’s cinematic landscape: A blend of services and original storytelling
Münchausen Films: Crafting hits and offering production services
Estonia’s film industry is making waves with companies like Münchausen Films, which not only offers production services but also creates original films. They served as an associate producer on the Danish thriller “Boundless,” a significant box office and sales success. Their latest projects include ”Aurora,” directed by Rain Tolk and Andres Maimik, and “Container,” a refugee survival thriller by Arun Tamm. These films showcase Estonia’s growing influence in the international film scene. Discover more about these projects by watching the Aurora trailer.
Allfilm: From ‘Tangerines’ to new horizons
Allfilm, the company behind the Academy Award and Golden Globe-nominated “Tangerines,” continues to push boundaries. Producer Volia Chajkouskaya is at Locarno with “Pure Art” and “Mono,” the latter directed by Chajkouskaya herself. “Mono” tells the story of a 36-year-old woman trying to understand a traumatic event from her youth that left her partially deaf. This film promises to be a poignant exploration of memory and identity. Check out the Mono trailer for a glimpse into this compelling narrative.
Finland’s vibrant film scene: Tackling societal issues with nuance
Made: Highlighting emerging Scandinavian talent
Made, a Finnish production company, is behind notable films like Isabella Eklöf’s “Kalak” and Aino Suni’s “Heartbeast.” Their latest project, “7 p.m. on a Sunday,” is the debut feature of Finnish-Turkish filmmaker Sevgi Eker. This nuanced drama addresses pressing societal issues such as youth violence, mental health struggles, and gender norms. Producer Inka Hietala describes it as a film that tackles these themes with sensitivity and depth. Watch the 7 p.m. on a Sunday trailer to learn more.
It’s Alive Films: Blending humor and childhood dreams
Anita Hyppönen from It’s Alive Films brings a unique project to Locarno: “Halima,” Naima Mohamud’s debut film. Set in 1990s Finland, the story revolves around a Somali girl navigating a world of boybands, tamagotchis, and popper pants. Hyppönen describes the narrative as full of humor and the innocent charm of childhood dreams. This film promises to be both nostalgic and heartwarming. Check out the Halima trailer for a sneak peek.
France’s creative epicenters: From social margins to epic experiments
Malfamé: Focusing on territories with bad names
Malfamé, a French production company, highlights the creative potential of marginalized territories. Their projects include “Better,” about Moroccan pro skateboarder Nassim Lachhab, and “Bouzaron,” a grounded crime thriller set on Reunion Island. These films explore themes of identity and resilience, offering a fresh perspective on often overlooked communities. Watch the Bouzaron trailer for more insights.
Collective Cinema: An epic experiment on privilege
Solal Coutard of Collective Cinema presents “A Paradise Lost,” the feature debut of Lebanon’s Kim Lêa Sakkal. This film charts the decadence of a once-great Beirut family, delving into complicated human co-dependencies and cross-class encounters. Coutard describes it as an epic experiment on privilege, promising a thought-provoking and visually stunning experience. Discover more by watching the A Paradise Lost trailer.
Germany’s diverse film projects: From intimate dramas to survival stories
Carousel Film: Addressing social inequality and classism
Maritza Grass of Carousel Film brings “How to Walk on Water” to Locarno. Directed by Sofía Ayala, this film tells the story of a girl spending a summer weekend at a friend’s oceanfront villa on the Mexican coast, where she discovers her wealthy classmates can inexplicably walk on water. The film addresses issues such as social inequality, classism, and racism, promising a visually and emotionally rich narrative. Watch the How to Walk on Water trailer for more.
Hakim + Konig Film: Pop arthouse for multiplexes
Ali Hakim, founder of Hakim + Konig Film, introduces “700 Days in Homs,” a film co-written and directed by Hakim and Sulaiman Tadmory. This survival story, set in the besieged city of Homs, is lent authenticity by Tadmory’s own experiences. The film promises a gripping and harrowing depiction of a two-year struggle for survival. Check out the 700 Days in Homs trailer for a closer look.
Italy’s bold narratives: Dark comedy and eroticism
Mompracem: Rebellion and OnlyFans
Umberto Maria Angrisani of Mompracem presents “Fucking Bonaparte,” a film blending dark comedy and eroticism. The story follows Olga, a top student at Padova University with an OnlyFans profile, who rebels against her tutor, an expert on Napoleon. This film promises to be provocative and thought-provoking, challenging societal norms and expectations. Watch the Fucking Bonaparte trailer for more.
In the ever-evolving world of cinema and TV, these projects and talents represent the cutting edge of storytelling and production. Each film offers a unique perspective, inviting audiences to explore new worlds and ideas. Whether through sensory experiences, societal critiques, or intimate dramas, these films promise to leave a lasting impact on viewers.# Emerging voices in cinema: A new wave of filmmakers
Introduction
In the ever-evolving landscape of cinema and TV series, a fresh wave of filmmakers is making their mark. These creators are not only pushing the boundaries of storytelling but also exploring profound themes that resonate on a personal and societal level. This article delves into the works and visions of some of these emerging talents, offering insights and reflections for enthusiasts of the silver screen.
Michele Cherchi Palmeri and MattoFilm: A new dawn in documentary filmmaking
Michele Cherchi Palmeri of MattoFilm is a name to watch. After launching in 2022 with three shorts, the company is now developing two documentary features. One of these, ”Voi come Noi,” directed by Lilian Sassanelli, delves into the personal impact of Berlusconi’s beauty standards on the director’s mother and their relationship. This exploration of beauty and its societal implications promises to be both intimate and thought-provoking.
Another intriguing project is “Mensch, MSCH!,” a portrait of an Italian artist questioning whether he has become part of his art. These documentaries are in the early stages, but they already hint at a deep, reflective approach to storytelling.
Francesca Vargiu and Diero: Championing artistic freedom
Francesca Vargiu of Diero is another rising star, having won a prestigious award for best Italian short in 2020. Her company aims to provide young auteurs with the freedom to express their artistic visions. One such project is “Shooting Watermelons” by Antonio Donato, set on the Golden Coast of Sardinia. This film explores the vulnerabilities of an Italian family and their interactions with a wealthy English family, the Ashbys. The narrative delves into themes of patriarchy and emotional suppression, making it a compelling watch for those interested in societal dynamics.
Zane Gulbe and White Picture: Illuminating broader contexts
Zane Gulbe of White Picture is dedicated to supporting directors whose narratives shed light on broader political and societal contexts. One notable production is “Oleg,” which was featured at Cannes’ Directors’ Fortnight in 2019. White Picture’s latest project, “Summer Blues,” is a tale of sibling friction and international co-production. Directed by Anna Ansone, this film promises to be a poignant exploration of family dynamics and personal growth.
Nikola Ozola and Trickster Pictures: A force in Baltic production
Nikola Ozola of Trickster Pictures is making waves in the Baltic production scene. The company, run by director-producer-playwright Matīss Kaža, has co-produced several notable films, including “Flow,” a Cannes hit. Trickster’s latest project, “I Love You, Lex Fridman,” is based on a bizarre yet captivating premise: a distinguished Latvian actress becomes infatuated with podcaster Lex Fridman and travels to America to propose to him. This unique narrative promises to be both entertaining and thought-provoking.
Justinas Pocius and Smart Casual: Exploring intimacy and love
Justinas Pocius of Smart Casual is bringing two early feature film projects to the forefront. One of these, “Hold Me Closer,” directed by Irma Pužauskaitė, explores a wife’s reaction to discovering her husband’s sex addiction. This film delves into themes of intimacy, love, and the boundaries of affection, making it a must-watch for those interested in complex emotional narratives.
Lineta Lasiauskaite and Plopsas: High-quality non-mainstream films
Lineta Lasiauskaite of Plopsas is committed to producing high-quality non-mainstream films. One such project is “Dead Among the Living, Alive Among the Dead,” an autobiographical account of Rinaldas Tomasevicius’ life. This film chronicles his journey through street gang life, heroin addiction, and prison, before finding recovery and a nascent film career. It’s a raw and powerful story that promises to captivate audiences.
Maria Leźnicka and Haja Films: Breaking free of genre constraints
Maria Leźnicka of Haja Films uses comedies and thrillers as a foundation to address serious matters such as personal relations and family crises. One notable project is “Seasons,” a bittersweet dramedy about two local actors whose relationship unfolds across three plays. This film, backed by Viaplay, promises to be a nuanced exploration of personal and professional dynamics.
Kinga Tasarek and Madants: Blurring boundaries between right and wrong
Kinga Tasarek of Madants is at the forefront of Poland’s vibrant international co-production scene. One of their latest projects, “The Lawyer,” directed by Maciek Bochniak, tells the story of Brian Mwenda, a star lawyer in Kenya who fabricated his legal training. This documentary explores the complexity of the human spirit and the blurred boundaries between right and wrong, making it a compelling watch for those interested in ethical dilemmas.
Ludwika Waszkiewicz and Film Produkcja: Thrilling tales of despair and love
Ludwika Waszkiewicz of Film Produkcja is working on “Until the Heart Burns,” the feature debut of Agnieszka Mania. This film is a thrilling tale about the destructive power of despair, depression, and guilt, and the love that can overcome them. It’s a powerful narrative that promises to resonate with audiences on a deep emotional level.
Liliana S. Lasprilla and Sabina Films: Voices from Mozambique
Liliana S. Lasprilla of Sabina Films is based in Porto and is involved in international projects as a minority partner. One of their upcoming features is “The Sand Spell,” a documentary by Vanessa Ribeiro Rodrigues that offers a vision of Portugal’s colonial war in Mozambique, told by voices from Mozambique. This film promises to provide a unique perspective on historical events, making it a valuable addition to the documentary genre.
Final thoughts
The world of cinema and TV series is constantly evolving, with new voices emerging to tell stories that challenge, inspire, and entertain. These filmmakers are not only pushing the boundaries of traditional storytelling but also exploring profound themes that resonate on a personal and societal level. For enthusiasts of the silver screen, these projects offer a glimpse into the future of cinema, where artistic freedom and innovative narratives take center stage.# Emerging voices in cinema and TV: A deep dive into new projects
Sofia Mirpuri: A fresh perspective on inclusion
Sofia Mirpuri is making waves with her upcoming TV series, Listen to My Lips. This series, directed by and starring Mirpuri herself, follows an ambitious hard-of-hearing millennial who relocates to Lisbon to chase her filmmaking dreams. The narrative is enriched by her diverse roommates, who become her close friends. Mirpuri’s goal is to challenge stereotypes and promote inclusion and diversity by portraying each character’s unique traits as part of a complex and rich life.
Bruno Moraes Cabral: A tale of reconciliation
Bruno Moraes Cabral, co-founder of Wonder Maria Filmes, is bringing The Last Summer to the market. Directed by João Nuno Pinto, this film is set on an old family farm on the verge of being sold. When a forest fire engulfs the countryside, two sisters and the daughter of the elderly family maid must confront and reconcile their differences. This project is a collaboration between Wonder Maria Filmes, Italy’s Albolina Film, and Aurora Cine in Argentina.
Charli Bujosa: Reviving historical figures
Charli Bujosa of Mansalva Films is at Locarno with The Shepherdess, featuring Alba Flores of “Money Heist” fame. The film resurrects the figure of Florenci Pla, an intersexual post-Spanish Civil War maqui. The story intertwines with that of the film’s writer-director, Cande Lázaro, during her medical and administrative transition. Selected for San Sebastian’s prestigious Ikusmira Berriak development program, Mansalva is also working on alternative procedural Flesh and stop-motion animation projects.
Carlota Darnell: Ambitious animated films
Carlota Darnell of Cornelius Films aims to produce ambitious animated films for all audiences within the framework of auteur cinema. One such project is the anticipated stop-motion feature Olivia and the Invisible Earthquake. Cornelius also plans to take on increasingly ambitious fiction projects and board titles as a minority co-producer. A notable example is My Uncle’s Movie, directed by Natalia Cabral and backed by Lantica Studios.
Laura Egidos Plaza: Impactful storytelling
Laura Egidos Plaza of Contraria is not confined to a specific genre or style. Instead, she focuses on stories that make an impact and lead viewers to reflect on important topics. At Locarno, her slate is led by March 14th, developed at the ECAM film school’s Incubator with mentorship from notable industry figures. Directed by Alberto Gross, the film portrays a parents’ divorce through the eyes of their 11-year-old son.
Ivy Y.H. Chiang: Diverse narratives
Ivy Y.H. Chiang of 1510 Workshop Co. is set to shoot Estonian director Rainer Sarnet’s zany kung fu comedy The Invisible Flight in Taiwan. Despite pandemic-related delays, Chiang is bringing two of her own projects to Match Me! Indigo Boy, the feature debut of famed music video director Bill Chia, explores depression through a fantasy lens. Counterpunch Boxing is a social drama about a Taiwanese Atayal boxer teaching indigenous children boxing to aid their integration.
Susan Huang: Fantastical love stories
Susan Huang of Mercury The Third Production Co. is in post-production with Eel, Chu Chun-Teng’s first feature. This fantastical love story about desire and belonging follows Liang, whose mundane life on a dilapidated boathouse is disrupted by a mysterious young woman he saves from drowning. Mercury’s strategy includes working with compelling stories from development to create fascinating films, co-producing third-party projects, and offering services in Taiwan.
Amanda Manyin Tseng: Exploring modern motherhood
Amanda Manyin Tseng of ENLA Media is at Locarno with Honey Milk, a Taiwan-France production. The film, selected for international sales by Berlin-based ArtHood Entertainment, follows a perfectionist plastic surgeon who struggles to adapt to her new role as a mother, seeking refuge in alcohol. The story reveals the unspoken truth about the void in modern motherhood.
These emerging voices in cinema and TV are pushing boundaries and exploring new narratives, offering fresh perspectives and challenging conventional storytelling. Their projects promise to captivate audiences and provoke thought, making them names to watch in the industry.
