Protagonist Pictures secures global rights for ‘Kill the Jockey’

A new absurdist comedy set to make waves

Protagonist Pictures has recently acquired the worldwide sales rights for Luis Ortega’s latest film, Kill the Jockey. This absurdist comedy is set to make its world premiere in competition at the Venice Film Festival and will also feature in the Centrepiece section at the Toronto Film Festival.

A tale of self-discovery and danger

The narrative centers on Remo Manfredini (played by Nahuel Pérez Biscayart), a legendary jockey whose self-destructive tendencies are beginning to overshadow his talent. His relationship with his girlfriend, Abril (portrayed by Úrsula Corberó), is also at risk. On the day of the most crucial race of his career, which could clear his debts to his mobster boss Sirena (played by Daniel Gimenez Cacho), Remo suffers a severe accident. He mysteriously disappears from the hospital and starts wandering the streets of Buenos Aires. Free from his identity, Remo embarks on a journey of self-discovery. However, Sirena is determined to find him, dead or alive.

Stellar cast and crew

The film boasts an impressive cast, including César Award winner Nahuel Pérez Biscayart (120 Beats Per Minute, My New Friends), Úrsula Corberó (Netflix’s Money Heist, upcoming Sky series The Day of the Jackal), and Ariel Award winner Daniel Gimenez Cacho (Bardo, False Chronicle of a Handful of Truths, Zama). The screenplay is co-written by Ortega, Rodolfo Palacios, and Fabián Casas.

A visionary director

Dave Bishop, CEO of Protagonist Pictures, praised Ortega, stating, “Luis is a cinematic visionary who has proven himself to be one of Argentina’s most exciting directors. Kill the Jockey’s humor and singular style, coupled with Nahuel and Úrsula’s top-notch performances, set it up to be a must-see.”

Production powerhouses

The film is produced by Rei Pictures’ Benjamín Domenech, Santiago Gallelli, and Matías Roveda (The Settlers, The Rescue, Zama); Ortega and Esteban Perroud via their production label El Despacho; Infinity Hill’s Axel Kuschevatzky and Cindy Teperman (Argentina 1985); Warner Music Entertainment’s Charlie Cohen; and Exile’s Nando Vila and Paz Lázaro. Executive producers include Oscar winner Benicio Del Toro, Isaac Lee, Ron Broitman, Federico Frágola, Phin Glynn, Delfina Montecchia, and Martín Fisner.

A collaborative effort

The film is co-produced by Piano, El Estudio, Snowglobe, Jacinto Films, and Barraca, in association with VIX, Pampa Films, and Gloriamundi, together with Dim Films and Fundación Ernesto Sábato.

Benjamín Domenech expressed his excitement about the partnership, stating, “It’s a true privilege to partner with Protagonist Pictures on Kill the Jockey. Their distinct approach in bringing high-quality films to international audiences is a perfect fit for this unique film, and we’re thrilled to have them on board.”

Ortega’s cinematic journey

Ortega’s previous film, El Angel, premiered in the Un Certain Regard section at the 2018 Cannes Film Festival and was Argentina’s Oscar entry that year. Inspired by the true story of the notorious 1970s serial killer Carlos Robledo Puch, the film achieved a record box office opening in Argentina for a local production.

Discover more

For those eager to delve deeper into the world of Kill the Jockey, you can watch the trailer here.

Personal reflections for cinema enthusiasts

As a cinema enthusiast, the anticipation surrounding Kill the Jockey is palpable. Ortega’s ability to blend dark humor with profound character studies makes his films a unique experience. The casting of Nahuel Pérez Biscayart and Úrsula Corberó promises compelling performances that will likely resonate with audiences. The film’s exploration of identity and self-discovery, set against the vibrant backdrop of Buenos Aires, adds layers of depth to the narrative.

In-depth analysis

The film’s premise of a jockey’s fall from grace and subsequent journey of self-discovery is intriguing. It raises questions about identity, purpose, and the lengths one will go to escape their past. The character of Remo Manfredini, with his self-destructive behavior, serves as a mirror to the human condition, reflecting our struggles with inner demons and the quest for redemption.

Distinctive comments

The involvement of Protagonist Pictures, known for their discerning selection of high-quality films, adds a layer of credibility to the project. Their confidence in Ortega’s vision and the film’s potential speaks volumes about the quality and appeal of Kill the Jockey. The film’s premiere at prestigious festivals like Venice and Toronto further cements its status as a must-watch.

Kill the Jockey is poised to be a standout film, offering a blend of humor, drama, and introspection. For those who appreciate cinema that challenges and entertains, this film is one to watch out for.