A journey through innocence: ‘Boong’ and the political landscape of Manipur
A coming-of-age tale with a political twist
Lakshmipriya Devi‘s debut feature, Boong, is a masterful blend of personal drama and political exploration. Set against the backdrop of India’s militarized eastern border, the film follows the spirited schoolboy Boong on a quest to find his missing father. This journey not only paints a vivid picture of modern Manipur but also serves as a poignant time capsule, capturing the region’s volatile atmosphere just before it descended into ethnic conflict.
The mischievous prankster
When we first meet Boong, he is a lively prankster with a knack for causing trouble. His father, Joykumar, taught him how to use a slingshot before leaving for the border city of Moreh in search of work. Boong’s antics, such as reciting Madonna’s “Like A Virgin” during school prayers, leave his teachers at a loss for how to discipline him. Recognizing that her son needs a better environment, Boong’s mother, Mandakini, transfers him to a more prestigious school where English is the primary language. This move, however, exposes Boong to new forms of cultural discrimination.
A new world of challenges
At his new school, Boong encounters a wider array of social issues. From the rich girl who boasts about her vacations in New Delhi to the casual slurs directed at his dark-skinned best friend Raju, Boong faces a new set of challenges. Raju, whose father migrated from the nation’s interior, is considered an ”outsider,” adding another layer of complexity to their friendship.
The dynamic duo
Kipgen and Sanamatum, who play Boong and Raju respectively, bring a delightful energy to the screen. Their chemistry is palpable as they navigate their topsy-turvy world with sass and smiles. However, Boong’s carefree demeanor is tested when his father stops responding to the family’s phone calls. Rumors of Joykumar’s death reach them, but the circumstances seem suspicious.
A minor tale of intrigue
While Boong remains blissfully unaware, Mandakini begins to investigate Joykumar’s disappearance. This subplot introduces hints of the surrounding political tensions, suggesting that Joykumar might be involved in rebellious activities against the oppressive government. As Mandakini delves deeper, the film subtly reveals the complex political landscape of Manipur.
The adventure to Moreh
Determined to bring his father back as a surprise for his mother, Boong and Raju embark on a journey to Moreh. Their adventure reveals a multi-faceted tapestry of life along India’s border, from migrant workers to Manipur’s blossoming transgender community. Despite the dangers they face, the boys’ childlike perspective adds a layer of innocence to their journey.
The truth about Joykumar
As Boong and Raju search for answers, they uncover a dynamic world that neither fully comprehends. When Boong finally learns the truth about his father, he is faced with a choice that requires a step toward adulthood and maturity. This moment is one of several minor challenges that Boong confronts throughout the film.
A gentle approach to storytelling
Devi’s gentle approach to Boong’s story centers on innocence and naiveté, threatened by steadily brewing forces. While she doesn’t focus her lens on the evolving political scenario, it remains an ever-present part of the film’s fabric. This political texture is inseparable from the intimate personal tale, making Boong a compelling and multi-layered narrative.
Watch the trailer
For a glimpse into Boong’s world, watch the Boong trailer.
Boong is a film that resonates on multiple levels, offering a rich tapestry of personal and political narratives. It is a must-watch for cinema enthusiasts who appreciate stories that blend innocence with deeper societal issues.