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A new Korean ghost story: “Sleep” offers a fresh take on supernatural thrillers
A tale of two films: contrasting “Sleep” and “Exhuma”
Following the spring release of “Exhuma,” another Korean ghost story has made its way to North America. This time, it’s Jason Yu’s “Sleep”, a film that actually preceded “Exhuma” in its home country by several months. While “Exhuma” is an expansive, effects-laden spectacle, “Sleep” takes a more intimate approach, focusing on a domestic setting and a concise narrative. Both films delve into the theme of possession by restless spirits, but “Sleep” stands out for its subtlety and character-driven humor.
The understated brilliance of “Sleep”
Despite its more modest commercial prospects, “Sleep” arguably surpasses “Exhuma” in quality. The film’s restraint and focus create a narrative that feels purposeful and pointed, rather than a mere vehicle for escalating action. Lee Sun-kyun, known internationally for his role in ”Parasite,” delivers a standout performance in one of his final roles before his untimely death. His portrayal adds depth and authenticity to the film, making it a compelling watch.
A couple’s quiet struggle against the supernatural
The story begins and ends with the gentle, comedic annoyance of a partner’s snoring. Hyun-sun (Lee Sun-kyun) is a struggling actor, while his wife Soo-jin (Jung Yu-mi) works a generic office job. They are a loving couple, eagerly awaiting the birth of their first child and doting on their Pomeranian, Pepper. Their peaceful life is disrupted when Hyun-sun starts exhibiting strange behaviors in his sleep.
One night, Soo-jin is awakened by the sudden silence of her husband’s snoring. She finds him sitting upright in bed, muttering “Someone’s inside,” before falling back into a deep sleep. This unsettling incident is followed by ominous noises in their apartment. Hyun-sun’s sleepwalking and bizarre actions escalate, causing concern and fear for Soo-jin.
The search for answers: medical and supernatural
Hyun-sun is diagnosed with a common sleep disorder, but the recommended treatments prove ineffective. A visit from a shaman, suggested by Soo-jin’s superstitious mother, reveals a more sinister possibility: a jealous ghost may be interfering with Hyun-sun, targeting his wife and their unborn child. The paranormal activity intensifies, threatening the safety of the family.
A clever, character-driven narrative
“Sleep” is divided into three chapters, each about half an hour long. The film is more clever and engaging than outright frightening, avoiding clichéd jump scares and fantastical imagery. Instead, it focuses on the credible depiction of inexplicable events that strain the couple’s relationship. The chemistry between the leads feels natural, with both actors delivering performances that balance humor and desperation.
Jung Yu-mi’s portrayal of Soo-jin has garnered much of the film’s awards interest. Her character’s emotional journey from humorous overreaction to genuine desperation is both compelling and relatable. Lee Sun-kyun’s performance, marked by sympathetic incredulity and earnest dedication, serves as a poignant epitaph to his career.
A refined debut for director Jason Yu
Though largely confined to the protagonists’ apartment, “Sleep” never feels claustrophobic. The film’s unhurried pace and astute production design contribute to its intimate, human scale. Jason Yu’s debut feature showcases his refined instincts as a director, emphasizing psychological detail and well-placed plot twists. While “Sleep” may not appeal to fans of flashier horror, it marks Yu as a promising new talent in the genre.
Final thoughts
“Sleep” offers a fresh and nuanced take on the supernatural thriller, distinguished by its character-driven narrative and subtle humor. The film’s careful psychological detail and understated effectiveness make it a standout in the genre. As Jason Yu’s first feature, it sets a high bar for his future work, suggesting a bright future for this talented director.
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