A new cinematic journey: “Bound in Heaven” by Xin Huo
A fresh voice in Chinese cinema
“Bound in Heaven” marks the directorial debut of Xin Huo, a seasoned screenwriter known for her work on “Kung Fu Hustle.” This film, the only Chinese production in the Official Selection at San Sebastián, had its world premiere in Toronto’s Centrepiece section. Adapted from Li Xiuwen’s novel, the story delves into the complexities of human relationships and societal issues.
A tale of love and resilience
The narrative centers on Xia You (played by NiNi), a successful yet emotionally drained woman trapped in an abusive relationship with her fiancé, portrayed by Liao Fan, a Berlin Silver Bear winner for “Black Coal, Thin Ice.” In a gripping early scene, Xia You confronts her abuser with the line, “Don’t smudge my makeup, the guests are still here,” highlighting the fragile facade she maintains.
Addressing domestic violence
Director Xin Huo has added a significant layer to the original novel by incorporating the theme of domestic violence. She emphasizes that this issue is not confined to China but is a global concern. Recent statistics indicate that 8.6% of married couples or cohabiting partners in China have experienced physical or psychological violence from their spouse.
A fateful encounter
Xia You’s life takes a turn when she meets Xu Zitai (Zhou You), a street-savvy ticket tout, while seeking Faye Wong concert tickets. Their initial encounter sparks a passionate relationship that transforms their lives. As they navigate their newfound love, the film vividly portrays how love can alter one’s perception of the world.
Contrasting worlds
The relationship between Xu Zitai and Xia You is a study in contrasts—intimacy versus vulnerability, social class disparities, and the juxtaposition of urban and rural settings. These elements create inherent tension, adding depth to the narrative. Director Huo explains, “The contrasts in the film inherently create tension, reflecting the complexities of human relationships.”
A collaborative vision
The film’s visual storytelling is a result of the seamless collaboration between Huo and cinematographer Piao Songri (“The Shadowless Tower”). Huo praises their partnership, stating, “We worked together in perfect sync, and I completely trusted his visual instincts.” The film also benefited from the contributions of production designer Zhai Tao, costume designer Dora Ng, and a talented cast.
Artistic influences
Huo’s cinematic vision is shaped by years of artistic exploration. Reflecting on her journey, she recalls the profound impact of watching “Breathless” during her university days. The freedom of form, bold expression, and extreme emotions of the French New Wave left a lasting impression on her.
A deeper understanding of humanity
At its core, “Bound in Heaven” is a love story, but Huo aims to explore broader themes of humanity and fate through the romantic relationship. She explains, “I wanted to express my understanding of humanity and fate through a romantic relationship, set against the backdrop of a specific era.”
A growing trend in Chinese cinema
“Bound in Heaven” is part of a growing trend in Chinese cinema that places women at the center while addressing important social issues. Films like Congcong Teng’s “Send Me To The Clouds” and Derek Tsang’s “Better Days” have similarly explored gender relations and societal challenges.
Looking ahead
As for her future projects, Xin Huo remains open-minded but committed to focusing on women’s stories and their hidden emotions. She states, “I won’t set limitations for myself. However, my focus on women’s stories, their destinies, and their hidden emotions will remain constant.”
“Bound in Heaven” is produced by Such A Good Film, Alibaba Pictures, and Ling Light. Rediance handles international sales, while Alibaba Pictures holds distribution rights in mainland China.
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