Remembering Paul Morrissey: A pioneering force in underground cinema
Paul Morrissey, a seminal figure in New York’s underground cinema scene, passed away at the age of 86. His ground-breaking collaborations with Andy Warhol in the 1960s and 1970s revolutionized American independent filmmaking and catapulted various amateur actors and transgender performers into the limelight.
The partnership that redefined cinema
In 1965, Warhol and Morrissey first crossed paths during the former’s explorations into experimental filmmaking at The Factory, his famed loft-based creative hub. With shoestring budgets often under $10,000, the duo created a series of influential features, achieving their highest commercial success with a trilogy that included “Flesh”, “Trash”, and “Heat”. This trilogy starred Joe Dallesandro, a frequent Warhol collaborator and gay sex symbol, and exemplified Morrissey’s unique cinéma vérité style marked by largely improvised scripts. Through collaborations with dramatic personalities like Dallesandro, Jackie Curtis, Holly Woodlawn, and Viva, Morrissey cemented their statuses as underground stars.
A symbiotic creative environment
During this transformative time, Morrissey also managed remarkable projects with the Velvet Underground and singer Nico, alongside Warhol. Their collaboration stretched from 1966 to 1967, during which Morrissey contributed to the band’s “Exploding Plastic Inevitable” multimedia concerts. Although his exact role was fluid, Morrissey’s influence was significant until he parted ways with the group, concurrent with Lou Reed’s dismissal of Warhol as the band’s manager.
Genre explorations and cult classics
Post the iconic Warhol collaborations, Morrissey ventured into genre cinema. He received particular recognition, albeit limited commercial success, for the horror films “Flesh for Frankenstein” and “Blood for Dracula”. Released in 3D in 1973 and 1974 respectively, these films later garnered a substantial cult following, confirming Morrissey’s lasting impact on genre filmmaking.
Continuation and controversy
After parting ways with Warhol in 1974, Morrissey continued to wield his directorial prowess, working with stars like Dudley Moore and Kevin Bacon. His final film, “News From Nowhere”, was released in 2010. Over the years, Morrissey became known for his firm and often critical opinions regarding Warhol’s contributions to their joint projects. In interviews, Morrissey expressed his belief that Warhol’s artistic input was minimal compared to the popular narrative, which often credited Warhol as the mastermind.
“He was incompetent, anorexic, illiterate, autistic, Asperger’s — he never did a thing in his entire life,” Morrissey shared about Warhol. “He sort of walked through it as a zombie and that paid off in the long run.”
Early life and cinematic journey
Paul Morrissey was born on February 23, 1938, in Manhattan and raised in Yonkers, where he attended Roman Catholic schools. He went on to earn a bachelor’s degree in English from Fordham University, followed by a brief stint in the Army. These early experiences likely influenced his artistic sensibilities, as he later explored themes of faith and human complexity in his initial 16mm shorts. After military service, Morrissey established an underground cinema in the East Village, showcasing both his own works and those of emerging filmmakers like Brian De Palma.
Leaving a legacy
Paul Morrissey’s contributions to cinema continue to resonate, reminding us of the power of innovative storytelling and the ability to carve out new spaces within the film industry. His legacy persists through the unique blend of raw authenticity and avant-garde techniques that characterized his work. As we reflect on his career, it’s evident that Morrissey’s impact extends far beyond the films he directed—his influence permeates the fabric of underground and independent cinema.
Morrissey is survived by his brother, Kenneth, and his eight nieces and nephews. His death marks the end of an era, but his innovative spirit and revolutionary impact on film will endure.
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