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Emerging filmmakers shine at Ventana Sur with bold new features
Ventana Sur showcases raw talent and groundbreaking stories
The prominent film industry event, Ventana Sur, shines a spotlight on upcoming filmmakers and their audacious new films. This year, the Primer Corte and Copia Final sections are particularly stirring with a blend of history, culture, and modern-day struggles. Among the highlighted entries are Camila José Donoso’s “Antitropical”, William Reyes’ “Eva”, and Manuel Ponce de León’s “In All My Journeys I Am Returning”. Let’s delve into these promising projects and the artistry behind them.
Primer Corte: A stepping stone for innovative voices
Camila José Donoso brings a fresh perspective to the table with her fourth film, Antitropical. Co-written with Alejandra Moffat, the story unfolds around the experiences of a Dominican woman, Susy, and Deisi, a Colombian immigrant, navigating the harsh realities of Chile’s sex market amid growing migratory and racial tensions. Producer Roberto Doveris highlights that working with non-professional actors and drawing from real-life experiences inject a raw, unfiltered authenticity into the narrative.
William Reyes’ “Eva” makes history as the first film financed by the Honduran Institute of Cinematography. Produced by Candelaria Films of Colombia and Reyes’ own Opida label, alongside support from Jayro Bustamante’s La Casa de Producción, “Eva” is a testament to regional solidarity and training of non-professional actors. This fusion enriches the film’s narrative fabric, reflecting on the resilience of characters against the backdrop of political and social landscape.
Moving over to a revisionist historical drama, Manuel Ponce de León’s “In All My Journeys I Am Returning” sets its story in post-independence Colombia. The film reevaluates emigration through a psychological lens, centered on a Swedish couple seeking fortune in a land recently liberated from Spanish empire’s grip. The rich production, spanned across Colombia, France, and Sweden, underscores the universal human need to imagine and yearn for a life perceived as lost or desirable yet unattained.
Copia Final: Films that blur the reality-fiction line
In the Copia Final section, seasoned talents and emerging voices bring a fascinating mix of procedural elements and fantastical storytelling. Luciana Piantanida’s “All the Strength” evolves from a gritty procedural to an evocative fantasy drama. Collaboratively produced by Argentina’s Pensar con las Manos, Peru’s Dupla Films, and Maretazo Cine, this narrative explores themes of transformation and self-discovery guided by acclaimed director Diego Vega.
A new prize to boost co-production
Adding to the excitement, Ventana Sur has announced the introduction of the Dale! Award, providing a €10,000 ($10,700) cash prize to a Latin American work-in-progress made in co-production with Europe. This award, backed by the umbrella bodies of public-sector film agencies in Ibero-America (CAACI) and Europe (EFAD), aims to encourage cross-continental cinematic collaborations. Renowned filmmakers like Martin Boulocq, Ulises Porra, and Santiago Esteves, all famed for their compelling storytelling, are among the contenders.
Intriguing entries offering fresh perspectives
- Girls’ Ground by Zara Monardes takes viewers to the industrial town of Ventanas. The narrative delves into a coming-of-age story tainted by the town’s toxic environment, reflecting the challenge of growing up in a place that epitomizes environmental degradation.
- The Bovine With the Curved Horns by Omar E. Ospina presents a surreal, eerie portrayal of a village shrouded in darkness and mystery. Drawing from Caribbean fantasy and oral traditions, the story narrated through the eyes of children and victims creates a palpable sense of fear and hope.
- No Journey Without Return by Carlos Sánchez Giraldo is a fantasy drama about a man named Amito, who starts deciphering his dreams to uncover his true identity. This visual masterpiece merges the talents of visual artist Sánchez Giraldo and Peru’s Rima, Rima.
A spotlight on the filmmaking process
Ventana Sur’s function extends beyond just showcasing films; it is also a fertile ground for filmmakers to exchange ideas, gain insights, and polish their craft. The process of working with non-professional actors, as seen in “Antitropical” and “Eva”, challenges directors and producers to harness authenticity and spontaneity, creating stories that resonate deeply with reality.
Furthermore, the collaboration between countries like Colombia and Sweden for “In All My Journeys I Am Returning” mirrors the spirit of international cooperation in cinema, fostering rich, multifaceted storytelling that transcends cultural barriers. These co-productions highlight the profound commitment to storytelling that is both inclusive and expansive.
Conclusion
Ventana Sur continues to be a beacon of innovative storytelling and filmmaking excellence. With the diverse array of films presented in the Primer Corte and Copia Final sections, the event underscores the importance of cultural narratives and the potent impact of cinema as a medium to explore, reflect, and challenge societal norms. The introduction of the Dale! Award further exemplifies the commitment to nurturing and elevating Latin American cinema onto a global stage.
For movie aficionados eager to dive into these compelling narratives, keep an eye on the trailers and updates, always accessible through the links provided. Engage with us and share your passion for cinema, as we continue to celebrate and support the vibrant world of filmmakers and their artistic contributions.# Emerging filmmakers bring fresh experiences to Ventana Sur
A new wave of titles at Ventana Sur showcases raw, diverse talent
Ventana Sur, the celebrated film industry event, has once again spotlighted emerging filmmakers and their innovative projects. The Primer Corte and Copia Final sections are buzzing with dynamic and culturally rich narratives. Among the standout entries are Camila José Donoso’s “Antitropical”, William Reyes’ “Eva”, and Manuel Ponce de León’s “In All My Journeys I Am Returning”. Let’s delve into these promising films and the artistry behind them.
Primer Corte: Showcasing cinematic innovation
Breaking ground with “Antitropical”
Camila José Donoso brings to the screen Antitropical, her fourth film co-written with Alejandra Moffat. The narrative centers on Susy, a Dominican woman, and Deisi, a Colombian immigrant, as they navigate Chile’s sex market amid growing migrant and racial tensions. According to producer Roberto Doveris, the film’s authenticity is bolstered by Donoso’s choice to work with non-professional actors and refine stories based on real experiences. This approach allows viewers to engage deeply with the raw realities of immigrant life and the intersection of race and gender in Chile.
Historical reimagining in “In All My Journeys I Am Returning”
Manuel Ponce de León’s In All My Journeys I Am Returning is a majestic historical drama set in post-independence Colombia. This film provides a unique psychological reading of emigration, focusing on a Swedish couple’s search for fortune. The cross-continental production involving Colombia, France, and Sweden aims to illuminate the universal human need to imagine a lost or desired life. The detailed historical setting and psychological depth make this film a pivotal piece in understanding the emigrant experience.
Solidarity in “Eva”
William Reyes’ “Eva” stands out as the first film funded by the Honduran Institute of Cinematography. Produced by Colombia’s Candelaria Films and Reyes’ Opida label, alongside Jayro Bustamante’s La Casa de Producción, “Eva” emphasizes regional solidarity. The storyline involving a mother and son’s complex relationship after a tragic incident highlights universal themes of love, responsibility, and reconciliation, enriched by non-professional actors authentically portraying the characters’ struggles.
Copia Final: Embodying authenticity and creativity
A journey through fantasy in “All the Strength”
Luciana Piantanida’s “All the Strength” transforms from a grim procedural into an otherworldly fantasy drama. This cooperative project of Argentina’s Pensar con las Manos, Peru’s Dupla Films, and Maretazo Cine, delves into self-discovery and transformation. Renowned director Diego Vega’s input is evident in the film’s nuanced storytelling, which depicts the metamorphosis driven by pressing social issues.
Evoking folklore in “The Bovine With the Curved Horns”
Omar E. Ospina’s “The Bovine With the Curved Horns” weaves Caribbean folklore with modern struggles, set against the tumult of a Colombian village. The film’s narrative, driven by the eerie presence of a patrolling figure donning a bull skull mask, unravels through the perspectives of children and massacre victims. The blend of fantasy and reality offers a poignant commentary on Colombian history and culture.
The spiritual journey in “No Journey Without Return”
Carlos Sánchez Giraldo’s “No Journey Without Return” explores the fantastical journey of Amito in discovering his true self. This visually rich film from Perú’s Rima, Rima harnesses the talents of visual artist Sánchez Giraldo, blending dreams with reality to craft a compelling narrative on identity.
Highlighting achievements with the Dale! Award
Ventana Sur continues to bolster Latin American cinema with initiatives like the Dale! Award, offering €10,000 ($10,700) for a Latin American work-in-progress produced in collaboration with Europe. Supported by CAACI and EFAD, this prize aims to foster international co-productions. Notable contenders include acclaimed filmmakers Martin Boulocq, Ulises Porra, and Santiago Esteves, reflecting the award’s emphasis on quality and innovation.
Intriguing entries rich in cultural narratives
- Girls Ground by Zara Monardes delves into the environmental and personal adversities faced by a young girl in an industrial town, portraying the metaphor of growing up in a toxic environment both literally and figuratively.
- The Nature of Invisible Things by Rafaela Camelo presents a nuanced exploration of life and death through the bond of a ten-year-old girl and a nurse at a hospital. The film’s reflective tone balances the theme of mortality with an inherent lightness and emotional depth.
- The Reserve by Pablo Pérez Lombardini, a major hit at Impulso Morelia, immerses viewers in the struggle of a community led by a park ranger to expel illegal loggers. This film, featuring non-professional actors, emphasizes the real-life battles for conservation in Chiapas.
Pushing boundaries with Dale! Award entries
- Criminal Body by Martin Boulocq merges the genre of horror with a narrative set against an American film production in a Bolivian village. This co-production spans Bolivia, Argentina, France, and Germany.
- The Reborn by Santiago Esteves threads a relationship drama into a thriller, depicting two estranged brothers caught in a web of crime and deceit.
Ventana Sur continues to be an influential platform that elevates and supports the diverse voices in Latin American cinema. These carefully curated films reflect profound narratives that challenge societal norms and explore intricate aspects of human experience. As always, these stories captivate the imagination and evoke deep emotional responses, promising a thrilling experience for movie enthusiasts worldwide.
For more updates and to dive into these compelling narratives, stay connected through our links and celebrate the magic of cinema with us.# Rising talents light up Ventana Sur with innovative films
Fresh voices emerge at Ventana Sur
At the prestigious Ventana Sur film event, a new crop of filmmakers is dazzling audiences with inventive narratives and profound storytelling. Highlighting the best in up-and-coming talent, the Primer Corte and Copia Final sections are brimming with striking historical dramas, cultural reflections, and avant-garde pieces. Let’s take a closer look at some of these standout titles.
Primer Corte: Exploring new frontiers in storytelling
Diving into complex social issues with “Antitropical”
Camila José Donoso returns with Antitropical, co-written with Alejandra Moffat. This film explores the gritty reality of the Chilean sex market through the eyes of Susy, a Dominican migrant, and Deisi, a Colombian immigrant. Confined to the underbelly of society, the characters face racial and migratory challenges. Donoso’s expertise lies in working with non-professional actors and depicting stories based on real-life experiences, lending the film a raw and visceral authenticity.
Historical reimagining in “In All My Journeys I Am Returning”
Manuel Ponce de León reinvents historical cinema with In All My Journeys I Am Returning. Set in post-independence Colombia, it delves into the psychological impact of emigration. The film follows a Swedish couple seeking fortune in a land recently freed from Spanish rule, offering a poignant meditation on yearning and loss. This emotionally charged narrative demonstrates Ponce de León’s skill in blending historical context with deep psychological exploration.
Emotional depth in “Eva”
First-time director William Reyes breaks new ground with Eva, the first film financed by the Honduran Institute of Cinematography. Produced in collaboration with Candelaria Films and Jayro Bustamante’s La Casa de Producción, “Eva” poignantly depicts a mother-son relationship strained by tragedy. Through honest portrayals of grief and reconciliation, the film offers fresh insights into parenthood and human resilience.
Copia Final: Blurring the lines between reality and fantasy
Transformative narratives in “All the Strength”
Luciana Piantanida’s All the Strength begins as a procedural drama and gradually morphs into a fantastical journey. Co-produced by Argentina’s Pensar con las Manos, Peru’s Dupla Films, and Maretazo Cine, Piantanida’s narrative highlights social issues through the protagonist, Marlene, and her discovery of a group of women with supernatural abilities. The film delivers a unique blend of realism and fantasy, exploring transformation and empowerment.
Mystical realism in “The Bovine With the Curved Horns”
Omar E. Ospina’s The Bovine With the Curved Horns plunges viewers into the mystical world of a Colombian village. During a blackout, a figure wearing a bull skull mask haunts the streets, blending folklore with the harsh realities of violence. This narrative, told through the perspective of children and massacre survivors, provides a haunting yet hopeful depiction of Colombian history and culture.
Uncovering myths in “No Journey Without Return”
Carlos Sánchez Giraldo embarks on an introspective journey with No Journey Without Return. The film follows Amito, who discovers his true origins through dreams. This fantasy drama, infused with visual artistry, reflects on identity and belonging, making it a visually and emotionally enriching experience.
Celebrating co-productions with the Dale! Award
Ventana Sur continues to support Latin American cinema through the Dale! Award, which grants €10,000 ($10,700) to a work-in-progress that involves collaboration between Latin America and Europe. Backed by CAACI and EFAD, this prize aims to foster international cooperation. Acclaimed filmmakers Martin Boulocq, Ulises Porra, and Santiago Esteves are among this year’s nominees, demonstrating the high caliber of entries.
Intriguing narratives redefining cinema
Environmental struggle in “The Reserve”
Pablo Pérez Lombardini’s The Reserve takes audiences into the heart of Chiapas, where a principled park ranger battles illegal loggers. Shot with non-professional actors, the film vividly portrays the ongoing fight for environmental conservation, emphasizing the stakes and dangers faced by those protecting natural reserves.
Cultural identity in “Girls’ Ground”
Zara Monardes’ Girls’ Ground explores the life of a young girl in an industrial town. The narrative uses the town’s polluted environment as a metaphor for the complexities of growing up amidst toxic influences, reflecting on the perseverance of youth in the face of adversity.
Life and death in “The Nature of Invisible Things”
Rafaela Camelo’s The Nature of Invisible Things delves into the bond between a ten-year-old girl, Gloria, and her nurse mother in a hospital setting. The film explores themes of mortality with a unique blend of light-heartedness and emotional depth, making it a compelling exploration of life and death.
Genre hybridity in “Criminal Body”
Martin Boulocq’s Criminal Body combines horror and drama set against an American film shoot in a Bolivian village. This genre hybrid follows two locals hired to play monsters, weaving a narrative that reflects on local culture and the influence of foreign productions.
Ventana Sur continues to be a vibrant platform for showcasing the diversity and richness of Latin American cinema. As it celebrates these groundbreaking films, it underscores the power of storytelling to bridge cultures and bring nuanced human experiences to the forefront. Stay connected for more thrilling updates and immerse yourself in these captivating narratives that redefine the art of filmmaking.
