Lisandro Alonso returns with a sequel to his debut film
A new chapter in Argentine cinema
Nearly 25 years after his acclaimed debut feature, “La libertad,” premiered at Cannes’ Un Certain Regard, Argentine director Lisandro Alonso is set to direct its follow-up, “La libertad doble.” This new project promises to delve deeper into the themes of freedom and personal evolution that marked his initial work.
A collaborative production effort
The production of “La libertad doble” is a collaborative effort involving several international partners. Amsterdam-based Ilse Hughan of Fortuna Films, Fernando Bascuñán of Chile’s Planta, and Augusto Matte of London-based Deptford Film are joining forces with Alonso’s 4L to bring this drama to life. Additionally, Germany’s The Match Factory, which has secured backing from the World Cinema Fund, and Luxembourg-based Les Films Fauves have come on board as co-producers.
Overcoming financial hurdles
Given the current economic climate in Argentina, securing the necessary gap financing has become a crucial step in moving forward with the project. Despite these challenges, the team remains committed to starting production by early 2025. Hughan, Bascuñán, and Matte emphasized that the need for additional funding is not just a financial requirement but also a strategic decision to maintain the film’s independence and creative integrity.
Revisiting themes of freedom and evolution
Like its predecessor, “La libertad doble” will explore themes of freedom and personal evolution, but with a focus on the complexities of adulthood and the evolving concept of freedom. The production aims to recapture the intimate, minimalist style that characterized Alonso’s early work while delving into the nuanced changes that come with age.
The story of Misael continues
“La libertad doble” follows Misael, who, 25 years later, continues to live alone, wielding his axe to fell trees deep in the forest, far from the presence of others. His quiet freedom is disrupted when he’s forced to care for his older sister, and the familiar rhythm of his days in the wilderness begins to unravel in a place where human reason holds no sway.
Supporting independent voices in cinema
“Argentina has always been a steady co-production partner for our local industry,” said Bascuñán and Matte, both from Chile and partners in the recently launched production entity, Maquina. “Their current unstable institutional situation makes it vital for us to work out ways to support independent cinematic voices beyond our borders in Latin America.”
As preparations move forward, the producers are actively seeking partners who share their vision and can offer the support needed to bring the film to life.
A look back at Alonso’s filmography
“La libertad” was the first of a trilogy that continued with “Los muertos,” which premiered in Cannes’ Directors’ Fortnight in 2004. Two years later, Alonso completed his trilogy with “Fantasma.” His 2008 drama “Liverpool” follows a young sailor searching for his mother in the remote villages of Tierra del Fuego, Argentina.
In 2014, Alonso released “Jauja,” set in late 19th century Argentina and Denmark, starring Danish-American actor Viggo Mortensen. The film won the Fipresci award in Cannes’ Un Certain Regard.
Recent works and future prospects
Alonso’s recent film, “Eureka” (2023), showcases his penchant for merging genres and storytelling. Described as an “Amerindian fable,” “Eureka” explores the lives of indigenous communities across various regions and historical periods, spanning from the United States to Mexico and South America. The film’s production was complex, involving shoots in four countries, multiple technical crews, and overcoming challenges such as harsh weather and pandemic-related delays.
Final thoughts
Lisandro Alonso’s return with “La libertad doble” is a significant event in the world of cinema, promising to offer a profound exploration of freedom and personal evolution. As the production team navigates financial and logistical challenges, the anticipation for this sequel continues to build.
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