Sony Pictures Classics acquires rights to “Don’t Let’s Go to the Dogs Tonight”
A cinematic journey through Rhodesian civil war
Sony Pictures Classics has secured the global distribution rights for “Don’t Let’s Go to the Dogs Tonight”, a film adaptation of Alexandra Fuller’s memoir. This poignant narrative, set against the backdrop of the Rhodesian civil war, offers a unique perspective on a tumultuous period in history.
A debut to remember
The film marks the directorial debut of Embeth Davidtz, an actress renowned for her roles in “Schindler’s List”, “Matilda”, “Junebug”, and “Bicentennial Man”. Davidtz not only directed and wrote the screenplay but also stars as the mother of the protagonist, bringing a deeply personal touch to the project.
Through the eyes of a child
Set in the late 1970s and early 1980s, “Don’t Let’s Go to the Dogs Tonight” follows the story of 8-year-old Bobo, who lives on her family farm in Rhodesia (now Zimbabwe) during the final days of the Zimbabwean War for Independence. The film captures Bobo’s internal conflict as she navigates her love for people on both sides of the war. Through her innocent yet perceptive gaze, viewers witness the end of Rhodesia, the family’s enduring connection to Africa, and the profound impact of war on its survivors.
A South African production
Davidtz, who spent her formative years in South Africa, optioned the rights to Fuller’s memoir eight years ago. She chose to film in South Africa, utilizing a local cast and crew to maintain authenticity. Lexi Venter, a newcomer discovered after an extensive search, plays the role of Bobo. Davidtz’s decision to cast an untrained actor was driven by a desire to preserve the character’s genuine essence. The ensemble cast also includes Zikhona Bali, Fumani N Shilubana, Rob Van Vuuren, and Anina Hope Reed. The production team features Helena Spring, Paul Buys, and Davidtz herself, with Anele Modada serving as the executive producer.
A dream collaboration
Davidtz expressed her excitement about partnering with Sony Pictures Classics, recalling her previous collaboration with them on “Junebug”. “I am thrilled to be working with Sony Pictures Classics to bring ‘Don’t Let’s Go to the Dogs Tonight’ to audiences globally,” she said. “Their passion and skill in distributing ‘Junebug’ were remarkable, and it feels like a dream come true to have them support my directorial debut.”
High praise from Sony Pictures Classics
Sony Pictures Classics lauded Davidtz as a “triple threat” — a talented director, screenwriter, and actress. They also commended Venter’s performance, describing the film as “a powerful, complete theatrical experience that is beautifully directed and features one of the finest performances by a child you will ever see.”
A deeper dive into the film’s themes
“Don’t Let’s Go to the Dogs Tonight” delves into complex themes of identity, belonging, and the scars left by war. The film’s setting during the Zimbabwean War for Independence provides a rich historical context, allowing for a nuanced exploration of the personal and political struggles faced by those living through the conflict. Davidtz’s intimate knowledge of the region and its history adds depth and authenticity to the narrative, making it a compelling watch for audiences worldwide.
The significance of the memoir
Alexandra Fuller’s memoir, on which the film is based, is a critically acclaimed work that offers a raw and unfiltered look at her childhood in Rhodesia. The memoir’s vivid descriptions and emotional depth have been faithfully translated to the screen by Davidtz, ensuring that the film retains the essence of Fuller’s original work. The adaptation not only brings the story to a wider audience but also highlights the resilience and strength of those who lived through one of Africa’s most turbulent periods.
Final thoughts
“Don’t Let’s Go to the Dogs Tonight” is more than just a film; it is a tribute to the human spirit and the enduring bonds of family and homeland. With its powerful performances, evocative storytelling, and historical significance, the film promises to be a standout addition to the cinematic landscape.
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