Italian
A noir mystery with a twist: Frankie’s journey through time
Introducing Frankie: A unique protagonist
Frankie, portrayed by Ariella Mastroianni, is a young single mother facing the harsh realities of life. Recently fired from her job as a gas station attendant, she struggles to find new employment. Her situation is further complicated by a rare degenerative brain condition called dyschronometria, which affects her perception of time. This condition makes her brain an unreliable narrator of her own reality. To cope, Frankie records her thoughts on audio cassettes, describing her life as “a life lived in no specific order.”
A stylish low-budget mystery
Directed by Ryan J. Sloan, a former electrician turned filmmaker, this low-budget mystery draws inspiration from classics like Memento and Videodrome. The film begins with a seemingly straightforward offer: Frankie is promised $3,000 to drive a car from one location to another. However, as any noir aficionado knows, such offers are rarely as simple as they seem. The task quickly spirals into a complex web of deceit and danger, proving that easy money often comes with a hefty price.
Emotional baggage and noir elements
True to the noir genre, Frankie carries significant emotional baggage. She attends a support group for those who have lost loved ones to suicide, where participants share their grief and confusion. Phrases like ”The person I knew wouldn’t do that” and “I never really knew him at all” resonate deeply, mirroring the classic noir themes of characters overwhelmed by circumstances beyond their control.
A compelling performance by Mastroianni
Despite the film’s lack of narrative momentum compared to top-tier noir films, Mastroianni’s performance as Frankie is captivating. As the co-writer of the film, she brings a unique authenticity to the role. Her striking features—pixie cut, high cheekbones, a strong yet delicate jawline, and large, expressive eyes—contribute to a character who is both tough and fragile. Mastroianni’s portrayal evokes the historic film lead Renée Jeanne Falconetti as Joan of Arc, reimagined in a modern New Jersey setting.
The film’s technical prowess
The film’s score, featuring mournful brass and a sleepy bass pulse, adds a layer of sophistication. However, this isn’t a film that relies solely on its soundtrack. Shot on 16mm film, Gazer benefits from the grainy texture that connects it to the long heritage of noir mysteries. This choice enhances the film’s aesthetic, drawing viewers into its world of hard talk and harder action. While the film lacks the sexual intrigue often associated with noir, its focus on Frankie’s character study is a deliberate and effective choice.
Final thoughts
Gazer is a handsomely assembled film that stands out for its unique protagonist and stylish execution. While it may not have the fast-paced narrative of classic noir films, its in-depth character study and technical craftsmanship make it a noteworthy addition to the genre.
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