Roya Sadat’s defiant storytelling: “Sima’s Song” debuts in Tokyo
An Afghan narrative beyond war and extremism
Roya Sadat, a trailblazer in Afghan cinema, brings her latest masterpiece, “Sima’s Song”, to the world stage. Premiering at the Tokyo International Film Festival, this film offers a profound look into a transformative period in Afghanistan’s history through the eyes of two diverse college students during 1978. This pivotal year is marked by the country’s socialist transition, the Soviet invasion, and the rise of anti-Soviet resistance movements.
Layers of a complex drama
The narrative of “Sima’s Song” unfolds through the lives of a wealthy Communist and a poor Muslim woman as they navigate through the dramatic changes in their homeland. The socio-political turmoil and personal struggles they face paint a vivid picture of Afghanistan’s multifaceted history. This film is a testament to Sadat’s commitment to telling stories that challenge the single-dimensional portrayal of Afghan society often seen in global media.
A journey through turbulent times
Roya Sadat’s career journey is as riveting as the stories she tells. From scripting her first screenplay during the initial Taliban regime—an era when filmmaking could lead to severe punishment—to becoming one of Afghanistan’s most influential directors, Sadat has continually pushed boundaries. Her Roya Film House, established in Kabul, has gained acclaim for producing TV series and films that delve into pressing social issues. Her notable work, “A Letter to the President”, was Afghanistan’s entry for the Oscars during a time when the nation still partook in the prestigious awards.
Resilient filmmaking under duress
Sadat’s determination to defy simplified narratives about Afghan women’s struggles led to the creation of “Sima’s Song.” Forced to relocate from Kabul to Greece due to the Taliban’s resurgence, Sadat and her team faced significant hurdles. This transition not only involved logistical changes but also adapting the production to new environments and securing international backing from producers in Spain, the Netherlands, France, Taiwan, and Greece.
Challenges of filming in exile
When the Taliban seized control of Afghanistan in 2021, Sadat, who was then in Seattle, found herself suddenly in exile. Left with just two suitcases and disconnected from her film company’s resources still in Kabul, the question of where to film became paramount. Despite the pressing funding deadlines and complex immigration hurdles, Sadat secured temporary permission to leave the U.S. and film in Greece. The production was completed within an intense four and a half months, with a cast that included exiled actors from various countries.
Art as resistance
“Sima’s Song” emerges amidst renewed restrictions on artistic expression in Afghanistan. Sadat poignantly notes the Taliban’s recent ban on images of living beings on television, starkly illustrating the grim reality under which Afghan citizens, especially women, now live. As she elucidates, the struggle of Afghan women is not a recent phenomenon beginning in 2001 but deeply rooted in the country’s history.
A voice of solidarity and empathy
Through her upcoming projects, including a musical film, Sadat remains a steadfast advocate for storytelling. She believes in the power of art to speak louder in times of extremism and fundamentalism. By sharing these stories, Sadat aims to draw global attention to the plight of Afghan women and foster a collective sense of empathy and solidarity.
“Now, more than ever, we need to unite our voices,” she emphasizes. “The world has turned a blind eye and a deaf ear to what is happening to Afghan women. Perhaps this film can create awareness and invite the audience to join this collective call for solidarity through a shared sense of empathy.”
Following its premiere at the Tokyo International Film Festival, “Sima’s Song” will be managed internationally by Pluto Film. This film stands not only as a cinematic achievement but also as a beacon of resilience and advocacy for Afghan women’s voices on the global stage.
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