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Kecia Lewis calls out Patti LuPone over “too loud” comments
A Broadway confrontation
Kecia Lewis, star of the musical ‘Hell’s Kitchen’, has publicly called out Patti LuPone over remarks that she considers to be bullying and racially microaggressive. The incident began when LuPone described the jukebox musical as “too loud,” triggering a powerful response from Lewis.
Speaking up for ‘Hell’s Kitchen’
In a heartfelt six-minute video posted on Instagram, Lewis—who recently won a Tony for her role as Miss Liza Jane in ‘Hell’s Kitchen’—made it clear that she was speaking only for herself and not for her cast, crew, or producers. Lewis detailed recent interactions with LuPone, noting, “You contacted our theater owner about changing a few of our sound cues because you found them to be too loud.”
After the adjustments, LuPone sent flowers to the sound and stage management team, which Lewis argued was a dismissive and out-of-touch gesture following a formal complaint that ultimately impacted the entire production. LuPone is currently starring in ‘The Roommate’ alongside Mia Farrow at the Booth Theatre, which shares a wall with the Shubert Theatre, home of ‘Hell’s Kitchen’.
The weight of microaggressions
Lewis moved beyond recounting personal grievances to delve into the broader topic of microaggressions. She explained these as “subtle, unintentional comments or actions that convey stereotypes, biases, or negative assumptions based on race.” By labeling a predominantly Black Broadway show as loud, LuPone’s words, according to Lewis, unintentionally reinforced harmful stereotypes and trivialized the artistic merit on display.
“In our industry, language holds power and shapes perception,” Lewis stated. Referring to a Black show as loud isn’t just an observation, she argued, but a dismissal of the artistry and voices being celebrated on stage. It’s a microscopic form of aggression that adds up, creating significant stress for the recipients.
Beyond flowers: A plea for respect
Though at face value, sending flowers might seem courteous, Lewis interpreted the gesture as dismissive. Adjusting the sound cues affected the performers most, leading Lewis to question the intentions behind LuPone’s actions. “How can I ensure that my feedback or my concerns are communicated in a way that is constructive and also, most importantly, respectful?” Lewis queried.
She urged stage veterans like herself and LuPone to consider how their feedback affects diverse show teams and to use their platforms to support inclusivity. “On Broadway, we are not just neighbors… We are a community that shares in each other’s artistry and challenges,” she emphasized.
Building a supportive Broadway
Lewis’ open letter concluded with a call to foster a more respectful and collaborative environment on Broadway. She highlighted the importance of recognizing and valuing all shows for their unique contributions, thus celebrating the diversity of voices and stories that come together on stage.
“Respect and collaboration are what keep us thriving,” Lewis stated. “Let’s continue fostering an environment that recognizes all shows for their unique contributions and celebrates the diversity of voices and sounds and stories that we bring to the stage.” Her message was clear: Patti LuPone owes them an apology—not flowers.
A storied musical
‘Hell’s Kitchen’ is a semi-autobiographical musical about singer Alicia Keys’ upbringing in New York City in the 1990s. With music and lyrics by Keys, the show opened on Broadway in April and has been met with critical acclaim, receiving 13 Tony nominations and winning two.
Broader implications
The incident between Lewis and LuPone is a microcosm of larger discussions in the entertainment industry about respect, representation, and the language we use. It underscores the importance of awareness and sensitivity when addressing works created by and starring diverse groups. The conversation Lewis has sparked is a crucial step toward fostering an environment on Broadway that truly values and celebrates its diversity.
For those deeply invested in the ongoing evolution of theater, this episode serves as a reminder of the significant impact words and actions can have. As Broadway continues to grow and diversify, the industry must ensure it honors and uplifts all voices equally.
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