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A night at the movies: Zack Snyder’s ‘Rebel Moon’ director’s cut
A marathon screening experience
I’ve never seen a line for the men’s room at the American Cinématheque as long as the one that confronted me during the intermission of Zack Snyder’s “Rebel Moon” marathon screening this weekend. By that point, the crowd had been holding its collective bladder for three and a half hours, with the second half still to come. Meanwhile, there were so few women in attendance that the ladies’ room had practically no wait at all—a phenomenon that said everything about the crowd that had turned out for a big-screen look at the 373-minute director’s cut of Snyder’s two-part space opera.
The director’s cut: A misnomer?
To call this roided-out macro-edition of “Rebel Moon” a “director’s cut” is to willingly buy into a misrepresentation of a project that had been conceived to exist in two separate versions all along: a by-no-means-neutered and still-plenty-aggro PG-13 version, and now this, a much longer and far gorier cut, crammed with exploding-head carnage so repetitive it starts to be tiresome, along with great big gratuitous helpings of nudity, sex, and backstory—hardly any of which materially alters the underlying story.
“Rebel Moon” is terrible any way you slice it. As Snyder warned during the post-screening Q&A, “There are another four, five movies beyond this.” And that’s not all: “There’s this animated movie that we’ve been working on,” he added. “I don’t know if we’re going to make it 100%, but we’re working on it.” So it really comes down to how much time you want to invest in watching Snyder try to cosplay George Lucas.
A comparison with Luc Besson
Frankly, I think “The Fifth Element” director Luc Besson makes for a better comparison, seeing as how both he and Snyder think like 13-year-old boys. While they’re competent enough behind the camera, their imaginations seem stunted by the onset of puberty. In “Rebel Moon”, we find Snyder attempting to out-imagine all the sci-fi minds who’ve come before, but ultimately limited by his fascination with certain juvenile elements. It’s like watching an ambitious kid world-building with borrowed Legos. You want to see whether he can come up with anything original.
Creative control and its pitfalls
there’s no one to blame but Snyder, since Netflix gave him creative control of both versions. Compare that experience to the satisfaction of seeing what Snyder had intended to do with “Justice League”. When Snyder suffered a personal tragedy, director Joss Whedon stepped in to finish that epic DC adaptation. Four years later, it felt like a genuine victory over a gun-shy studio to get “The Snyder Cut”.
By contrast, Snyder’s turbo-charged “Rebel Moon” re-releases are no kind of artistic triumph at all. If anything, knowing he’d be allowed to put out bigger, longer, “uncut” versions seems to have discouraged Snyder from making the sort of decisions necessary to craft a coherent, well-paced space opera in the first place.
The cult of the director’s cut
Like such never-satisfied auteurs as Francis Ford Coppola and Oliver Stone, “Zack is a director who is known for director’s cuts,” Zack’s wife and producing partner, Deborah Snyder, announced from the stage before the show at the Cinematheque’s Egyptian Theatre (which is now owned by Netflix), eliciting a roar of approval from the cult-like crowd. Judging from the looks of it, the room was packed with the sort of middle-aged, overwhelmingly male mob one finds at Comic-Con—or a subset of those who hadn’t caught COVID in San Diego the weekend before.
“When we first came to Netflix,” Deborah Snyder went on to explain, “it was [then-chairman] Scott Stuber who said to us, ‘What if you get to do both? What if we can do something that our kids can see, and what if we can do something that the hardcore fans are expecting from you—but we plan for it?'”
A cinemasochist’s perspective
To be clear, I did not come to this event as a fan. I came as a “cinemasochist,” which is to say, someone who takes pleasure—although “pride” would probably be more apt—in sitting through long and arduous movies.
Snyder has satisfied me only twice as a director: His terrifying, character-driven 2004 take on “Dawn of the Dead” played a pivotal role in the 21st-century zombie revival (I doubt we would have gotten “The Walking Dead” without it), and there’s no denying how visionary his grungy Physique Pictorial adaptation of Frank Miller’s “300” felt at the time. It made a beefcake action star of Gerard Butler, while demonstrating the expressionistic possibilities of CGI when so many directors were striving for realism.
At that point in his career, Snyder felt like a man of original ideas, when in fact, time has revealed him to be just another remix artist, appropriating other people’s IP. And then came “Sucker Punch”, after which watching Snyder’s work began to feel like a chore. It was in that spirit that I picked up a friend and drove all the way out to Pacific Palisades to see “Rebel Moon: A Child of Fire” seven months earlier. It was screening on the big screen at one Los Angeles venue, The Bay, where the two of us had the theater to ourselves.
The empty theater phenomenon
That’s right, when Netflix released the first part of Zack Snyder’s “Rebel Moon”, hardly anyone went. Let’s charitably assume that the theater was empty that day because “hardcore fans” were waiting for the unrated director’s cut.
In fact, The Bay is a swanky art-house venue half an hour from Netflix HQ which the streamer uses to host Oscar-qualifying ”theatrical runs” of its movies. This is because Netflix “content” (as they call it) can’t compete for Academy Awards if the company dumps it directly onto streaming. But Scott Stuber and his successors don’t really want you to see their stuff on the big screen, so they make it as difficult as possible to do so.
Nor can you own them in any home-video format, which means, if you want to see the director’s cut of “Rebel Moon”, you have to do so on Netflix. Or else, you had to be in the room with us on Saturday night, where the crowd’s anticipation was so palpable, you’d think we were about to witness the next episode in the “Star Wars” franchise—which, far more than a live-action “Heavy Metal”, is clearly what Snyder set out to make with this spare-parts space opera. The director takes himself entirely too seriously, depriving audiences of the levity and occasional comedy that would make six hours of space genocide bearable.
The misleading marketing
Zack and Deborah Snyder have been doing the rounds, telling press that these are “literally four different movies,” a claim which is disingenuous in theory and downright misleading in truth. Last year’s “ultimate cut” of “Caligula” is a different movie from the colossal debacle that Penthouse honcho Bob Guccione released back in 1980, in that not a single shot was repeated from the earlier X-rated version (in practice, that amounted to using second-best or slightly-less-histrionic takes to return “Caligula” to the film that screenwriter Gore Vidal set out to make).
The new release of “Rebel Moon” also features alternate takes of certain shots (namely those that would have been too violent to qualify for a PG-13 rating from the Motion Picture Association), but it’s essentially the same movie, just a lot more explicit. I mention “Caligula” because that notorious movie flashed through my mind during the new 20-minute set-piece with which Snyder opens his now-unrated, slightly-retitled “Rebel Moon — Part One: Chalice of Blood”.
For those who are curious, you can check out the trailer for Rebel Moon and decide for yourself if this extended cut is worth the time investment.# A deep dive into the chaotic universe of ‘Rebel Moon’
A new beginning in a familiar galaxy
In the vast expanse of space, Zack Snyder introduces us to a new yet eerily familiar universe with his latest film, Rebel Moon. The movie opens not on the rebel moon of Veldt, but on another celestial body entirely, setting the stage for a tale of tyranny and rebellion. The antagonist, Admiral Atticus Noble, portrayed by Ed Skrein, makes a grand entrance, striding through a city reminiscent of ancient Rome, now engulfed in flames and chaos.
As the screams of the oppressed echo through the air, Snyder leaves no room for doubt about the invaders’ cruelty. Atticus’ men are seen branding the city’s priestesses, a brutal act that sets the tone for the film’s unflinching depiction of violence. The camera captures a chilling scene where a citizen is executed with a laser beam, his head exploding in a gruesome display that becomes a signature of the film.
Unrestrained brutality and dark humor
Snyder’s vision is unrestrained by the limitations of a PG-13 rating, allowing him to explore the depths of human depravity. The film’s graphic violence is not for the faint-hearted, and viewers might find themselves reaching for a drink every time a head explodes. However, be warned: this drinking game could lead to a quick trip to the ER.
The introduction of Aris, a character reminiscent of Finn from The Force Awakens, adds a layer of complexity to the narrative. Forced to make an impossible choice by Atticus, Aris’ journey is marked by tragedy and loss. The scene where he is coerced into killing his own father is particularly harrowing, showcasing Snyder’s penchant for pushing the boundaries of taste and decency.
A world built on borrowed ideas
Despite the impressive visual elements and intricate world-building, Rebel Moon struggles with originality. Snyder’s extensive mythology and lore, while fascinating, often feel derivative. The film borrows heavily from various sources, much like Quentin Tarantino’s Pulp Fiction or the sampling culture in rap music. However, unlike these examples, Rebel Moon fails to create something truly new and fresh from its recycled parts.
The character of Jimmy, an android with an existential crisis, is a clear nod to C-3PO from Star Wars. Voiced by Anthony Hopkins, Jimmy’s serious demeanor contrasts sharply with the comedic elements of his predecessor. His journey through wheat fields, adorned with a crown of antlers, is both absurd and poignant, culminating in a scene where he dramatically steals a cloak from a scarecrow.
The flawed hero and her companions
Sofia Boutella’s Kora, also known as Arthelais or “The Scargiver,” stands out as the film’s most compelling character. Her flaws and fears make her relatable, setting her apart from the one-dimensional male warriors she recruits. These characters, while visually striking, lack depth and originality, often feeling like caricatures of their previous roles.
Charlie Hunnam’s Kai, the film’s Han Solo stand-in, is a prime example. His elaborate costume and uneven Scottish accent fail to disguise his character’s predictability. In contrast, Staz Nair’s Tarak, who proudly displays his abs, is a more straightforward, if less interesting, character.
Kora’s romantic entanglements add another layer to the story. The extended cut of the film includes two drawn-out sex scenes, one with each of her suitors. While these scenes aim to highlight Kora’s autonomy in a patriarchal society, they often feel gratuitous and fetishistic.
A visual feast with a hollow core
Snyder’s attention to detail is evident in the film’s visual elements. The gnarly scar tissue on Kora’s torso and the slow-motion farming sequences are particularly striking. These scenes, inspired by filmmakers like Terrence Malick and Aleksandr Dovzhenko, showcase Snyder’s ability to create visually stunning moments.
However, the film’s reliance on borrowed ideas and excessive violence ultimately undermines its impact. Snyder’s approach, which resembles the workings of artificial intelligence, reconfigures centuries of human creativity into something that only superficially appears original.
The future of the ‘Rebel Moon’ saga
Despite its flaws, Rebel Moon has garnered a dedicated following. The film’s ambitious scope and intricate world-building have sparked interest in potential sequels and even an animated feature. However, the prospect of more films in this vein may test the patience of even the most ardent fans.
Rebel Moon is a testament to Snyder’s unique vision and his willingness to push boundaries. While it may not achieve the same level of cultural impact as Star Wars, it offers a bold and unflinching look at a universe where darkness and light are in constant conflict.
For those interested in exploring this chaotic universe further, you can watch the trailer for Rebel Moon here.
For more insights into the world of cinema, TV series, and music, stay tuned to our blog. Whether you’re a casual viewer or a dedicated enthusiast, we aim to provide in-depth analysis and personal reflections that enrich your experience.# Exploring the latest in cinema, TV series, and music
A fresh take on cinema: New releases and hidden gems
The world of cinema is ever-evolving, with new releases constantly pushing the boundaries of storytelling and visual artistry. This year, several films have captured the imagination of audiences and critics alike. One such film is Movie Title Name, a gripping tale that delves into the complexities of human relationships. The trailer alone promises a rollercoaster of emotions, making it a must-watch for any cinema enthusiast.
Another noteworthy mention is Another Movie Title, which has been praised for its innovative narrative structure and stunning cinematography. This film challenges traditional storytelling methods, offering a fresh perspective that is both engaging and thought-provoking.
The rise of indie films
In recent years, independent films have gained significant traction, often outshining big-budget productions with their unique stories and authentic performances. Films like Indie Film Title have proven that a compelling story and strong character development can captivate audiences without the need for extravagant special effects.
Indie films often explore themes that mainstream cinema tends to overlook, providing a platform for diverse voices and unconventional narratives. This trend is a testament to the growing appreciation for storytelling that prioritizes substance over spectacle.
TV series: Binge-worthy shows to add to your list
The realm of TV series has seen an explosion of high-quality content, with streaming platforms offering a plethora of options to suit every taste. One series that has garnered widespread acclaim is Series Title. This show masterfully blends drama, suspense, and humor, creating a narrative that keeps viewers on the edge of their seats.
Another standout series is Another Series Title, which has been lauded for its intricate plot and well-developed characters. The show’s ability to tackle complex themes while maintaining a gripping storyline is a testament to the writers’ and actors’ talents.
The impact of streaming platforms
Streaming platforms have revolutionized the way we consume TV series, offering the convenience of on-demand viewing and a vast library of content. This shift has also allowed for more experimental and niche series to find their audience. Shows like Niche Series Title have thrived in this environment, providing viewers with unique and engaging content that might not have found a place on traditional television.
Music: Albums and songs that define the year
The music industry continues to evolve, with artists pushing the boundaries of genre and style. This year, several albums have stood out for their innovation and emotional depth. One such album is Album Name, which blends various musical influences to create a sound that is both fresh and familiar.
Another album that has made waves is Another Album Name. This record showcases the artist’s versatility and ability to convey powerful emotions through music. Each track offers a unique listening experience, making it a standout release of the year.
The resurgence of vinyl
Interestingly, vinyl records have seen a resurgence in popularity, with many music enthusiasts preferring the tactile and auditory experience they offer. Albums like Vinyl Album Name have been re-released on vinyl, allowing a new generation of listeners to appreciate the warmth and richness of analog sound.
Personal reflections: The magic of storytelling
As a lover of cinema, TV series, and music, I find immense joy in discovering new stories and sounds. Each film, series, and album offers a unique window into different worlds, allowing us to experience a wide range of emotions and perspectives. The beauty of storytelling lies in its ability to connect us, to make us feel seen and understood.
Whether it’s the visual splendor of a well-crafted film, the intricate plot of a binge-worthy series, or the emotional resonance of a powerful song, these art forms have the power to move us in profound ways. They remind us of our shared humanity and the endless possibilities of creativity.
In a world that often feels chaotic and uncertain, the stories we tell and the music we create offer a sense of solace and inspiration. They remind us that, despite our differences, we are all part of a larger narrative, one that is constantly being written and rewritten with each passing day.
So, whether you’re a seasoned cinephile, a TV series binge-watcher, or a music aficionado, there’s always something new to discover and enjoy. Embrace the magic of storytelling and let it enrich your life in ways you never imagined.
