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Latin American cinema: A new wave of co-productions
A vibrant showcase at San Sebastian
The San Sebastian Europe-Latin America Co-Production Forum is buzzing with excitement this year, featuring 14 compelling projects that promise to captivate audiences worldwide. Among these are “She, Crocodile” by Brazilian Gabriela Amaral Almeida, “Hedgehogs” by Victoria Galardi, and “Rambler” from Mexico’s Astrid Rondero and Fernanda Valadez. This lineup is a testament to the dynamic and evolving landscape of Latin American cinema.
Emerging talents and seasoned directors
This year’s forum highlights a mix of established filmmakers and rising stars. Notable names include Argentina’s Santiago Loza and Bolivia’s Martin Boulocq, alongside emerging directors like Cuba’s Rosa Maria Rodríguez, Argentina’s Natalia Meta, Paraguay’s Pablo Lamar, and Mexico-based Natalia López Gallardo. This blend of experience and fresh perspectives is set to bring a diverse array of stories to the screen.
The allure of co-production
The forum’s strong lineup is driven by the need for co-production to counter rising costs and the specific challenges faced by Argentina’s film industry. Co-production offers a way to pool resources and talent, creating opportunities for filmmakers to bring their visions to life despite financial constraints.
Spotlight on “She, Crocodile”
“She, Crocodile” marks the debut feature from South, a new production company launched by Alice Braga and Bianca Comparato. Directed by Gabriela Amaral Almeida, known for her work on “Friendly Beast”, this film is poised to make a significant impact. Watch the trailer.
Victoria Galardi’s return with ”Hedgehogs”
After an 11-year hiatus, Victoria Galardi returns with “Hedgehogs”. Known for her high-energy, dramedic takes on solitude and family, Galardi’s new film explores the painful process of separation. Watch the trailer.
“Rambler”: A tale of chaos and violence
“Rambler” by Astrid Rondero and Fernanda Valadez shifts focus from central Mexico to Mexico City, reflecting the chaos, violence, and vertigo of the metropolis. This three-time-period tale promises to be a gripping exploration of the city’s darker side. Watch the trailer.
Togetherness in co-production
Rosa María Rodríguez Pupo’s “Her Lightness” is produced by a powerhouse team including Armando Capó, Cristina Gallego, and Martha Orozco. Hernan Rosselli’s “Hard-Boiled School” boasts seven international production partners. The trend is clear: co-production is key to overcoming financial challenges and bringing diverse stories to the screen.
Argentina’s resilience
Five of the 14 forum titles hail from Argentina, showcasing the country’s resilience in the face of economic challenges. Despite inflation and government issues, Argentina’s filmmakers are turning to multi-lateral co-production to continue creating compelling cinema.
Uruguay’s rising influence
Uruguay is emerging as a significant player in Latin American cinema, co-producing nearly as many forum titles as France. With a pro-film government and a reputation for high production standards, Uruguay is becoming a hub for filmmakers looking to collaborate and create impactful stories.
The rise of auteur genre films
Latin America’s high-art, minimalist arthouse cinema is evolving, with auteur genre films gaining popularity in foreign markets. Films like “She, Crocodile”, “Hard-Boiled School”, and “The Strange Woman” are among the hottest packages in the lineup, blending artistic vision with mainstream appeal.
In-depth look at the lineup
“Animales de Desierto” (Animal Print)
Directed by Santiago Loza, this film is set in a precolonial desert where four characters embark on a journey of revenge. Loza, known for his award-winning films, brings a unique vision to this historical tale. Watch the trailer.
“A Different Garden” (Otro jardín)
Mariana Gil Ríos’ film follows 8-year-old Amanda as she discovers hidden family truths during a holiday at her grandfather’s home. This touching story is produced by Daniela Echeverri and co-produced with France. Watch the trailer.
“Hard-Boiled School” (La escuela pesada)
Hernán Rosselli’s film tells the story of a man released from prison who must care for his former partner’s daughter. The film reconstructs the life of legendary heist maestro Pedro Palomar. Watch the trailer.
“Her Lightness” (La Levedad de Ella)
Rosa María Rodríguez Pupo’s film follows Nora, who, after her cancer returns, decides to live on her own terms. This intimate fantasy is produced by a talented trio, making it a standout in Cuban cinema. Watch the trailer.
“Mar de Leva”
Directed by Mariana Saffon, this film explores the emotional journey of Elena as she prepares for her father’s death. This poignant story is co-produced with France, adding depth to the lineup. Watch the trailer.
A new era for Latin American cinema
The San Sebastian Europe-Latin America Co-Production Forum is a testament to the resilience and creativity of Latin American filmmakers. By embracing co-production and collaboration, these directors and producers are bringing diverse, compelling stories to the global stage. This year’s lineup is a celebration of the rich cultural tapestry and innovative spirit that define Latin American cinema.# Emerging voices in Latin American cinema: A new wave of storytelling
Latin American cinema is experiencing a renaissance, with a fresh wave of filmmakers bringing unique perspectives and compelling narratives to the global stage. This article delves into some of the most promising projects and directors making waves in the industry. From poignant dramas to thrilling body horror, these films are set to captivate audiences worldwide.
Between you and Milagros: A mother’s journey
The debut of Saffon, whose short film “Between You and Milagros” won best short film at the 2020 Venice Orizzonti, marks a significant milestone in her career. This film explores the profound and often tumultuous journey of motherhood. Directed by Franco Lolli and produced by Capucine Mahé at Colombia’s Evidencia Films, this project promises to be a heartfelt exploration of familial bonds.
Rambler: On the edge of a cataclysm
After their success with “Sujo,” which won the Sundance Dramatic World Cinema Grand Jury Prize, the Mexican duo Astrid Rondero and Fernanda Valadez are back with “Rambler.” This film portrays the experiences of three individuals on the brink of a cataclysm in Mexico City. Produced by Corpulenta and Enaguas Cine, “Rambler” has already garnered support from Mexico’s Sistema Nacional de Creadores. Watch the trailer.
Remanso: A dark chapter in Paraguayan history
Set during the dictatorship of Stroessner in Paraguay, “Remanso” follows Carmen, a woman who discovers a girl was raped and murdered in the neighboring house of an influential military officer. Directed by Pablo Lamar and produced alongside Gabriela Sabaté, this film is a broad co-production involving Paraguay, Brazil, Uruguay, and France. Watch the trailer.
She, Crocodile: A transformation tale
Gabriela Amaral Almeida’s “She, Crocodile” stars Bianca Comparato as a young heiress who gradually transforms into a deadly crocodile. This film is a unique blend of body horror and social commentary, exploring themes of capitalism and women’s issues. Produced by Comparato and Yana Chang, with Alice Braga and Amaral as executive producers, this film is a declaration of love for the genre. Watch the trailer.
Solo el Amor Existe: A follow-up to a Berlin Silver Bear winner
Following the success of ”Robe of Gems,” which won a Berlin Silver Bear Jury Prize, Natalia López Gallardo returns with “Solo el Amor Existe.” This film continues to showcase her talent as a director and editor, produced by Lobo en Medio de Lobos. Watch the trailer.
The spirit of the law: A political drama
Natalia Meta’s “The Spirit of the Law” follows a congresswoman at the peak of her career, advocating for a crucial law she has fought for her entire life. When an accusation forces her to reconsider her political calling, the film delves into the true spirit of her mission. Produced by Picnic Productions and Rei Pictures, this film promises to be a thought-provoking drama. Watch the trailer.
The strange woman: A futuristic family conflict
Set during the lithium war in a future Bolivia, “The Strange Woman” follows a Quechua teenager who becomes a surrogate to escape poverty, facing her mother’s fury and unleashing a family conflict amidst social turbulence. Directed by Martin Boulocq and co-produced by Cimarrón and CQ Films, this film critiques neo-colonialism and global forces shaping Bolivia. Watch the trailer.
Tropical malaise: Activism and community
Jorge Cadena’s “Tropical Malaise” tells the story of queer activists teaming up with indigenous communities near Colombia’s largest open-cast coal mine. Co-written by Jacques Toulemonde and produced by GoldenEggProduction, this film explores themes of activism and community. Watch the trailer.
The two landscapes: A melancholic comedy
Francisco Lezama’s “The Two Landscapes” is set during an institutional crisis within the Catholic Church. Mercedes, a devout sixty-year-old Catholic, is obliged to host the late tenant’s girlfriend and unrecognized daughter in her home. Produced by Pioneer Cine, this film is a melancholic comedy about religious and family tensions. Watch the trailer.
Final thoughts
The diversity and depth of these films highlight the richness of Latin American cinema. Each project brings a unique voice and perspective, offering audiences around the world a chance to experience stories that are both universal and deeply rooted in their cultural contexts. As these filmmakers continue to push boundaries and explore new narratives, the future of Latin American cinema looks incredibly promising.
